![]() ![]() She’s an aspiring journalist who’s more than a bit of a gullible ditz. On Gatsby’s arm is the bouncy and breathy Ashleigh Enright (Fanning). Chalamet’s Allen proxy laments a line like this lesson title or “I need a drink, a cigarette, and a Berlin ballad,” among many others, with smirking persuasion. The dashing and shifty actor eats this kind of measured material up, and even croons an old standard over piano for us. Timothée plays this with the appropriate frazzle and fluster. His cultured character is hot-and-cold with actions and choices clashing creative dreams with rank pessimism. LESSON #2: FIND SOME BRILLIANT WAY TO RUIN YOUR LIFE- Because this an Allen film shadowing his own personality traits, Gatsby is eccentric to the nth degree in his urban playground of hostility and paranoia. The whip smart nonconformist enjoys the vices of gambling, cigarettes, and booze while longing for the classic haunts of Old New York that he misses terribly while stranded in the sticks. ![]() Clad in his wool blazer and sneakers, he’s an intellectual smoothie who was cast out of his native Manhattan by his mother (Cherry Jones) for liberal arts refinement. The Call Me By Your Name Oscar nominee plays Gatsby Welles, a brash senior at the fictional Yardley College in upstate New York. That’s where the fizz doesn’t flow despite the winsome look of every layer of A Rainy Day in New York. Even the most cultivated retro Millennial you could ever concoct or discover couldn’t and wouldn’t talk like Woody Allen. They might as well be talking in Shakespearean English for cutesy theatre. LESSON #1: ACT “THEIR” AGE- You’re back to the question of “who talks like that,” and your answer is almost certainly not a single young person you know of this current decade or century. The words enchant to no end, yet are staggeringly uncharacteristic when you watch them coming from a cast of 20-somethings, even if they are played by talents like Timothée Chalamet, Elle Fanning, and Selena Gomez. ![]() The flow of uptown affluence and worldly whims spoken by the central figures of the film is perky and magnetizing. With Allen aging out of his usual middle-aged hopeless romantic leading man roles, the pairings between the acting vessels in his place and his scripted ravings do not always ideally match.Īppealing as it may be swinging from the affable to the morose, that mismatch is the glaring irregularity found in Allen’s new film A Rainy Day in New York debuting on Amazon Prime October 9th. When he used to cast himself delivering those diatribes and long conversations, the semantics fit the persona perfectly. The man can sure put words together and stuff poetry in peoples’ mouths. That’s the dithering brilliance of the quintessential New York filmmaker and master screenwriter. For anyone who’s heard one of the countless monologues in a Woody Allen film, you may have found yourself asking “who in the world talks like that?” Well, that’s him. ![]()
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